Kent Olofsson - Composer
Theatre/Music Theatre/Opera
Zonen
(2021-2024)
Vipeholm - Tiden före framtiden
(2023)
Fru Sorg
(2023)
Dying Young
(2022)
Underjorden
(2020/22)
Idlaflickorna
(2021)
Kris
(2021)
(2020)
Theatre, one actor, music, video. Dramaten 16 September 2020.
ALAN - The Alan Turing Opera project
(2020)
Conter-tenor, electroacoustic music, video.
På spaning efter den tid som flytt
(2018-19)
Theatre
(2018)
In the Dark, Everything Went All Black
(2018)
Död åt välfärdsstaten
(2017-18)
Skellefteå/Malmö
(2017)
Karlskrona/Malmö
(2017)
Episoder 4
(2016)
The End of History II: (br)exit ghost
(2016) Radio play section for a Teatr Weimar audience participatory performance, November 2016
Episoder 3
(2016) Radio play. Text by Jörgen Dahlqvist. Voice Carina Ehrenholm
I skuggorna - Champs d’étoiles, staged version 2016
Countertenor, recorder, violin, viola da gamba, theorbo, pre-recorded voices, electroacoustic music, video, scenography. Actor: Kent Olofsson. Inter Arts Center April 2016.
Episoder 2
(2016) Radio play. Text by Jörgen Dahlqvist. Voice Carina Ehrenholm
Arrival Cities: Hanoi - version with chamber ensemble
(2015)
Version for trio of Vietnamese instruments, chamber ensemble, electronics and videos.
The Six Tones, Ensemble Reconsile, Teatr Weimar. Vienna December 2015
Arrival Cities: Hanoi
(2014) For trio of Vietnamese instruments, electronics and videos. The Six Tones, Teatr Weimar. Inter Arts Center Malmö December 2014.
Fält
(2014) Music theatre performance, electronic music, rock/jazz songs, video. Teatr Weimar: Linda Ritzén, Zofia William Åsenlöf, Jörgen Dahlqvist, Kent Olofsson, Marcus Råberg.
Stränder
(2014) Electronic Music for a Teatr Weimar production. Inkonst Malmö March 2014.
Okända rum: Champs d’étoiles - staged version with video and light
(2014) (Part IX-XII: Prelude to Silence, Viola da gamba solo XII, A Secret Apparition I, Éclat/Appel)
Countertenor, baroque instruments, video. Lipparella, Teatr Weimar
Arrival Cities: Växjö
(2013) Sonic Art Theatre for three actors, vocal ensemble, string orchestra, electronics and video. Teatr Weimar, Vokalharmonin, Musica Vitae, conductor: Fredrik Malmberg
Arrival Cities: Malmö
(2013) Sonic Art Theatre for three actors, trombone, percussion, video, stage. Axelsson Nilsson duo, Teatr Weimar.
Everest
(2012) Electroacoustic music for a theatre performance with text by Lotta Lotass. A Teatr Weimar production for Helsingborg Stadsteater.
Intérieur/Extérieur
(2012) Paetzold contra bass recorder, contrabass flute, electronics, video
Hamlet II: Exit Ghost- radio theatre version
(2012) for 2 actors, live electronics and live video
Version for Radioteatern, Sveriges Radio
Noli me tangere
(2012) Seven actors, sevens singers, seven speakers. Teatr Weimar, Vokalharmonin, conductor: Fredrik Malmberg
Vitt Brus IV-VIII
(2012) Video installation, with Jörgen Dahlqvist
Bergmanvariationer
(2011) Music for a theatre production by Teatr Weimar at Malmö Stadsteater Intiman
A Language at War
(2011) Performance for two actors, one singer, electronics and live-video.
Les portes l’enfer
(2010-11) One actor, pre-recorded voices digital and ensemble of digital and electric instrument. Trembling Aeroplanes.
De stränga anteckningarna (The Harsh Notes)
(2010-11) A Sonic Art Theatre for 2 actors, 4 singers, electroacoustic music, paintings, installations. Teatr Weimar, Peter Jönsson.
Hamlet II: Exit Ghost
(2010) A Sonic Art Theatre for 2 actors, live electronics and live video. Teatr Weimar
Indy 500 – seklernas udde
(2009) A Sonic Art Theatre for 3 actors, guitar, saxophone, percussion and electronics. Teatr Weimar, Ensemble Ars Nova
Eurydice
(1985-86)
Chamber opera: 3 soli, choir, speaking roles, orchestra
